outof50

Rooster Slipped - Rooster

0/50
Rooster Slipped album cover

GENRE: Cloud Rap/Experimental Hip-hop

RELEASE DATE: 29-Aug-2025

HEADPHONES: Sennheiser HD-660S2

SPEAKERS (2.1): Edifier MR4 + Edifier T5

Melancholic exasperation about a transition of values surrounded by a beautifully detailed instrumental.

On his debut album, Rooster blends melancholic reflection with a delicately detailed instrumental, creating an album that feels closer to poetry with a tailor-made soundtrack than a standard trap/hip-hop release. Rooster, also known as Yung Gud, is best known for his contributions to the early days of cloud rap with the Sad Boys collective, along with Yung Lean and Yung Sherman. While much of his legacy thus far has been tied to shaping that group’s sound, a matured Rooster allows him to step out from behind the DAW and frame his ideas in a more personal way. This shift is felt well across the album. Instead of producing for somebody else, he’s able to use his own delivery to embody the reflective, nostalgic atmosphere that was already well known in his beats.

At its core, Rooster Slipped feels like Rooster releasing himself from expectation and recounting the journey that led to his current values. The existential undertone of the project is set from the opening track, Nothing is Nothing, which frames the project as a contemplation on emptiness, meaning, and what remains when material pursuits fade away. Where his earlier work with Sad Boys often pushed towards bigger, more dramatic gestures with materialistic themes, this album deliberately embraces understatement. Rooster expresses this using lazy and carefree vocals delivering lyrics that detail his past reliance on materialism and his current embracing of meaningful relationships and a low-stress lifestyle. Through Rooster’s lazy, carefree vocal delivery, he revisits his past of drug use, romantic relationships, and the pursuit for status. These reflections aren’t set in glorification, but as points of contrast against the satisfaction he now finds in meaningful relationships and a low-stress lifestyle.

From a production point of view, Rooster Slipped can be stunningly detailed at points, though some choices weaken the project’s message and cohesion. Tracks like Xoxo showcase Rooster at his best, a deeply compelling instrumental where birdsong and bright synth textures breathe life into his lazy delivery. Other portions of the album are missing this depth, like the track Minute Marks where the instrumental fails to provide a satisfying conclusion to the ideas presented. The instrumental interludes, however, work in his favour. 7am at Storkyrkan, Stockholm and Suspens create some breathing room in the tracklist that prevent the album from being a one-dimensional monologue.
Changing between two listening setups gave an interesting contrast. I was expecting the experience to be better fit for headphones, as the hidden textures and subtle detail of the production could shine through, but sometimes the vocals felt a bit awkwardly placed. However, when played through speakers (2.1) the album feels more alive, the low end could really shine and the vocals were surprisingly very distinguishable from the other instruments at play. Being submerged in a speaker experience provides an atmosphere that feels closer to what Rooster seems to be reaching for.

I typically prefer to discuss the vocals separately to the instrumental, but Rooster Slipped makes this difficult due to how tightly the two are woven together. Amidst the spacious, textured production, Rooster’s vocal performance feels more like a tool used to project his thoughts rather than an attempt at ‘sound-goodism’. An intentionally lazy and unbothered delivery provides a level of intimacy that’s loosely propelled by the backtrack, which provides almost all the velocity across the project. On tracks like Nuketown Blues or The Mirror, this type of presentation creates a wonderfully atmospheric experience, but on the other end, with tracks such as The Slip’n’Fall, it can feel like clarity in the lyricism is sorely lacking or feels under-powered. 

As a whole, the album succeeds most in its cohesion and production quality. The tracks are tightly knit with buttery transitions, often so buttery that the project feels like an extended conversation with the listener rather than a collection of songs. While this level of unity reinforces the existential and reflective themes, it also causes many tracks to lose their replay value or become immemorable. Even still, the consistent approach that Rooster took is what makes Rooster Slipped a valuable experience. It’s an album that asks for total immersion, and in return it provides something not many other albums can with a lasting impression not steeped in memorable hooks or witty lyricism, but in the melancholic atmosphere it sustains from start to finish.

VERDICT: 33outof50

TRACK RATINGS:

Nothing is Nothing
Xoxo
Dirrt Angel
7am at Storkyrkan, Stockholm
OMG! WTF! (Only when it’s lonely)
The Mirror
Nuketown Blues
Five Star Reviews
The Slip’n’Fall
Million Dollar 
The News 
Best Friend?
Suspens 
Fix Up, Lights On 
Minute Marks 

28/50
41/50
33/50
30/50
22/50
36/50
43/50
28/50
31/50
19/50
25/50
34/50
25/50
26/50
22/50